The Australian Contemporary Opera Inc. and associated ACOCo Fund is governed by an exceptional volunteer board of directors (committee). Their considerable knowledge and expertise from a wide range of backgrounds, including business, law, arts & culture, public engagement, finance, economics, environment and social justice, guides the strategic direction of the Company. In addition to considerable time commitments, our board members contribute financially to ACOCo.
Bill Gillies LL.B, Dip. Crim. (Melb)
Member of the Medico-Legal Society, the Maritime Law Association of Australia & New Zealand and the Institute of Arbitrators and has written Practical Medicine for Lawyers. He is also admitted to practice in the A.C.T., N.S.W., Tasmania and Papua New Guinea.
Bill Gillies is a barrister in private practice in Queen Street, Melbourne. He has been on the board of The Opera Studio - Gertrude Opera since 2008, and Chair since 2009. Pro Bono board and philanthropic interests include Chair of Living Museum West, West Space and UN Magazine. Bill is a Volunteer Guide at Heide Museum of Modern Art, and a sports (rugby) historian and Tribunal Member. Bill has a keen interest in contemporary opera, literature, and visual arts.
Linda Thompson BMus (HonsPerf Melb) GCHE (Monash)
Founder and Artistic Director of ACOCo, Gertrude Opera and Yarra Valley Opera Festival. An award-winning soprano, stage director and producer, described as "a cultural entrepreneur for the 21st century". Having worked with as a principal soprano with leading Australian opera directors Barrie Kosky, Baz Luhmann, Gale Edwards and Neil Armfield to name a few, Linda now leads the professional development of established and emerging singers through the staging of contemporary works, engaging new and diverse audiences, with a view to enabling access and appreciation for opera theatre. Linda is a Member of the German Australian Opera Grant Adjudication Panel, and a board member of TightPants Theatre Co.
In throwing everything I have to offer to a new generation of opera creators and opera-goers, I relish the platform to dispel perceptions of elitism and inaccessibility, by simply telling stories in compelling and imaginative ways on stage, and in a 2020 upside, in the virtual arena. The operatic voice is a vehicle to express what is deep and shared within us all - humanity. This company is built on generosity of spirit, determination and skills of artists and creators who inspire me daily.
Dale Simpson FGIA, FIOD (Life), FAICD
Fellow Governance Institute of Australia, Life Fellow Institute of Directors (FIOD); Fellow Australian Institute of Company Directors (FAICD), Professional Member Career Development Association of Australia (CDAA).
Dale is the Managing Director of Bravo Careers, specialising in performance, leadership and career enablement. Dale has worked in the Governance and Human Resource Management and Development field for more than 30 years. He also lectures in leadership and governance with the Governance Institute of Australia (GIA) and DeakinCo.
I fell in love with ACOCo (Gertrude Opera) when attending performances in the garden of 2 dear friends. I loved what Linda has achieved in bringing opera into a contemporary space, and with a focus on giving aspiring singers and musicians an opportunity to perform in honing their craft.
Company website: www.bravocareers.com
Michael Grigoletto MBA, BE
Michael began his career as an engineer working in the construction industry and later in a marketing capacity in the manufacturing sector. After completing an MBA, Michael has since practiced as a management consultant specialising in the field of philanthropy and has also held senior development roles within the tertiary and research sector. He served on the Board of On the Line (social and mental health) from 2006 to 2016 and is currently a Director of The Australian Contemporary Opera Company (ACOCO).
Specialising in Major Gifts Philanthropy, he has established numerous multi-million-dollar partnerships, conducted organisational reviews, campaign feasibility studies, strategic planning, fundraising and business development programs.
Michael has worked with a broad range of organisations in various fields including health, professional sport, medical research, social welfare, environment/conservation and tertiary education.
Opera is often seen as elitist, stuffy or irrelevant to the Australian context. ACOCo completely dispels this myth. Since joining ACOCo, I have come to appreciate that contemporary opera can be a deeply Australian form of expressive storytelling. It is vibrant, open, generous, exciting and fun. Please reach out to us and get involved – you will be surprised and delighted!
Neil Pharaoh has more than fifteen years of domestic and international experience in campaigning, advocacy and stakeholder engagement. He is an experienced Senior Consulting & Corporate Affairs Executive, across strategy, impact, outcomes and engagement across the social purpose and business sectors.
Neil has previously worked in various senior fundraising, marketing, communications, campaigns and government relations roles including education and child welfare and, internationally, in geopolitical risk and international aid and development organisations.
Neil currently serves as director for a number of environment, philanthropic, health and education organisations. He has a Bachelor of Commerce (Accounting and Marketing) and Bachelor of Laws from the Australian National University and is a Graduate of the Australia Institute of Company Directors (GAICD). Neil is also a lecturer of leadership and governance at the National Institute of Dramatic Art (NIDA), Sydney.
In his spare time he kayaks, gardens and hangs with his Italian Greyhound on his property near Kyneton.
Neil has had a love of opera since a young age when his nonna & mum would share stories of opera in their home town of Giarre, Sicily. He believes ACOCo is unique in its accessibility and power to share modern & Australian stories with all the passion and depth of those sung historically in Italy.
Amy Poynton B.A. (USA), MBA (Monash) Grad Cert. INSEAD
Over thirty years of global executive and senior partner roles in ASX top listed companies, big-4 consulting firms and large-scale family enterprise. Expertise in big change including driving growth and learning for organisations, leaders, and teams. Worked across sectors, in banking, insurance, and resources.
Chair at Project Respect and 3 non-executive director positions at Children's Ground, The Lyceum Club and 16th Street Actors Studio Foundation. It is my privilege to provide the governance and strategic direction to these organisations that do so much for women, first nations communities and the arts. I am sought after by media and specialist conferences to provide opinion, insights and advocacy on business transformation, and women matters.
I live in Melbourne with my husband and near to my twenty-something sons. I enjoy the beach, walking, writing and music.
Prof. Charles Qin OAM
Mandarin Interpreter/ Translator and Managing Director of Chin Communications, Australia's leading Chinese language communications company
Now with almost 30 years of experience in Translating and Interpreting, many personal goals have been achieved. Interpreting at Olympic and Commonwealth Games, World Expo, APEC, G20 and FTA negotiations.
Interpreting for many world leaders including Bill Clinton, George Bush, Presidents Xi Jinping, Hu Jintao and Jiang Zemin, United Nations meetings and many of Australia's political and business leaders.
Appointed Visiting Professor by Sichuan University, South East University, Tianjin Foreign Studies University, Chinese Academy of Sciences, Kunming University of Science and Technology and Dali University; Appointed an Honorary Monash Fellow and an adjunct industry fellow in 2018.
Awarded the Order of Australia Medal for service to International Relations through Interpreting and Translating in 2016.
Privileged to be part of an organisation promoting the arts in Australia, and reaching out to the Chinese community in Australia who love the arts and seek to make a contribution. Personally, seeing talented opera singers develop through the events staged each year, and making opera accessible for all.
Tony Tenaglia MBA, FGIA, GAICD, (FELLOW) ANZIIF, POSTGRAD DIP (BUS), BA (LEGAL)
Principal Regulatory/Governance IAG, Director/Treasurer Royal Australasian College of Physicians, Director Creative Care & Support, Responsible Officer Veterinary Registrations Board Victoria, Director ACOCo
Versatile and adaptable director and executive, with extensive experience in the business and not-for-profit sectors with relevant qualifications.
I have always appreciated the Arts, even though my own talents in such areas are meagre. Being a Director of ACOCo is my way of contributing to, as well as appreciating, the promotion of opera as an art form that provides contemporary commentary on our society.
Leana Papaelia LLB (Hons), LLM, BMus (Hons), AMusA
Leana Papaelia is a soprano and barrister at the Victorian Bar.
Leana holds an AMusA and a BMus (Hons) majoring in vocal performance. She received a university scholarship to complete her honours and, in her final year of study, was awarded the Horace Keats Memorial Prize for Excellence in Vocal Performance. Leana has studied under the direction of Linda Thompson and currently works with Loris Synan OAM.
At the Bar, Leana practises in commercial and public law with a focus on banking and financial services regulation, corporations and securities, insolvency, trade practices and human rights.
Leana has held Board positions with Lawyers for Animals, an organisation dedicated to improving the welfare of animals through education and law, and Right Now, an independent not-for-profit media organisation focusing on human rights issues in Australia.
When ACOCo started as The Opera Studio over 10 years ago, there was no pathway for a young opera singer to develop their skills after completing a music degree or advanced studies. Linda created one. It has now developed into a company that puts on vibrant contemporary opera performances in a forum that supports and nurtures our emerging artists and engages a future generation of audience members.